Viacom, run by an always positive Tommy Tannenbaum, was the natural home for Mayberry, as they owned the original series. He then chose Bob Sweeney, also from the original show, to direct. Andy added to their draft with scenes and dialogue that were incorporated into the shooting script. They met, talked story and began to write. He told NBC that he was bringing in his old team and tracked down Harvey Bullock and Everett Greenbaum who were happily still alive. When Andy learned that he could run this ship without Mount and Rosen, he was thrilled. Rosen tried again and the second draft was even darker. "Andy Taylor" is visiting his hometown, which has become a certified speed trap, headed by a corrupt black sheriff and Andy finds, when he finally arrives that no one has time for him, least of all his beloved son Opie. His draft turned out to be Mayberry on Acid. NBC gave the script a go-ahead and a writer, Charles Rosen, from "Beverly Hills 90210" was signed to write. I brought Mount and Griffith together, and they appeared to get along. I thought it would be a perfect match to bring his youthful perspective to a new look at Mayberry. Hal Ross and I had signed Thom Mount and company and, knowing Thom was born and raised in North Carolina. Twenty some years later, Andy didn't want Sheldon, the show's creator, involved. Former actor Leonard had been a favorite of Abe Lastfogel who set him up with Danny Thomas as producer-director and now instructed him to create a series for Griffith. "Do not tell Sheldon Leonard about this," was my first red flag from Griffith. It just "came out" - he really didn't mean it. Some believed it to be a neurological "tick" like Tourette's. But where did it originate?ĭid it have something to do with his three agents, the creator, pilot writer and producer of his hit show and all of his writers being Jewish? A student of jazz and Dixieland, did he realize that composer Earle Hagen's theme for his second hit show "Matlock" was totally Klezmorim-inspired - i.e. ![]() I finally succeeded in 1986 while learning what the star was really like.Īt one point, a line producer was needed and Andy entered my office, closing my door and announcing, "Go get a guy, but make sure he's not a Jew."Īndy knew I was Jewish, he had made the same "secret" directive to Fred Silverman, his "Matlock" partner, that was his point. ![]() WMA also packaged "Return to Mayberry," and I invested seven years attempting to sell this reunion movie with all necessary elements attached. The present North Carolina-based actor and star of the WMA packaged "Matlock" (1986-1995) has always made industry "evil lists" for enthusiastically serving as captain of mean spirit, hostility and vitriol. It's a very over-the-top performance by a motivated, if very green, actor. In "Face," Griffith's character evolves from dissolute jailbird to the heights of show business idolatry and politics until he's ultimately revealed for what he is. In a more recent interview he stated that Mayberry was invented by Artie Stander, one of the show's writers and not based on any specific place. While fans say it was based on Mount Airy, Andy had been quoted saying he used to visit Mayberry, Virginia, as a child - 22 miles north of Mount Airy. (Author's note: Several commenters have reacted to my calling Lumberton the "real life Mayberry." I should have said "Mayberry-like." But I do know the origins of Mayberry. Many years later in the real life Mayberry called Lumberton, North Carolina, Michael Jordan's daddy would be shot in cold blood, targeted by two young boys from Sheriff Andy's fishing hole, primarily because he was a black man driving a new Lexus. His character, portrayed by former-Southern-standup-comic-turned-actor Andy Griffith, was a treasure of small-town Americana where all the Anglo-Saxon citizens were protected by the good ol' boy "sheriff without a gun" (the pilot's actual title). We, the children of television, grew up believing in the human warmth and genuine kindness of "Sheriff Andy Taylor" of Mayberry, N.C.
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